On a rainy night everyone parks along main street and go in to their favorite hangouts to be warm with their buddies. The cars wait outside in their parking stalls. As you look at the night sky, the color is actually black. Lights shine from above on the cars and wet roads beneath them, yet at the same time the walls behind are lit as well. The reflections of the lighted establishments glow. We don’t know what color the car and truck really are. All we really see is black. The buildings in the distance disappear into the night sky.
There are different types of portraits — casual, formal, head shots, full length, etc. This one is a casual type. It has a very natural feel to it. She looks like she just sat on the couch, pulled her feet up and got comfortable.
When I do a portrait I try to create a mood. I want to enhance the personality of the subject. Joanna is a warm, sensitive person. The background color reflects that. I have also tried to show reflected colors on her white sweater. She doesn’t look posed. Her expression is as though she is thinking pleasant thoughts.
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This is a demo I did for painting a portrait. The model is my favorite, my wife. First I draw an oval shape to fit the face in. I draw a line across the center. The eyes will fit on it. Another one is drawn from top to bottom in the center. The nose will be put around it. Halfway between the eye line and the chin will be another line. This is where the bottom of the nose will go. I draw another line, this time halfway between the nose line and the chin. This is the mouth line.
I now know where everything goes. Next, I start drawing shapes of shadows or values — the area over the brow, the shadow under the nose, the upper lip, under the chin. I mix three shades of flesh color, one dark, one medium, one light. I find the dark areas and paint them in: brow, under chin, upper lip, under nose, etc. Next I find the lightest areas and do them: the upper part of the cheek, the part of the forehead and chin facing the light. The rest is painted in with the medium.
I now use other colors as needed. Lips, eyes, hair, etc. The lip is the shiniest part of the face, so I leave a highlight on it, as well as the tip of the nose.
These are the basics.
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This video was taken yesterday morning at the Artsgarden in downtown Indianapolis, Indiana. You will see each of my paintings.
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These are demos from the oil painting class I teach. The first one was from the first day. I just worked on the lay in and the basic color schemes. The next one was on the second day. I look for the colors and values, highlights, and reflected light. Look at the orange. It has a red reflected light from the apple on the right.
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This is a video I put together last night. It is of some of my cityscapes. I hope you enjoy it!
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This is one of my oldest oil paintings. It is of me with three of my children and three of their friends. We are wading in the ocean at San Diego, California. I want you to look at the two little girls at the far right and far left. I have not put much detail in their faces, yet your mind puts it in. Sometimes if you insist on putting in too much in the painting it will destroy the freshness of your work. Usually you will never see much more than this in real life.
These are my three kids now and their portrayal in the painting:
Sarah Jennifer Jared
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The Milwaukee River flows right through the middle of downtown Milwaukee. The Milwaukee Riverwalk goes along both sides of the river. There are shops and restaurants along the way. This painting is the view from one of the outdoor restaurants. The large buildings are actually across the river and appear as a wall to me.
I love cities. I’m enthralled by big buildings. I wanted to portray their majesty from a viewer’s sight. The painting has both geometric and organic shapes with the windows and walls and the seated woman. She adds interest to the painting.
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