This was a portrait assignment from college. The subject is my son-in-law, Will Bryan. He was seated in our darkened basement, watching TV. I had a light illuminating his face. Notice the light highlights contrasted by the dark background. This is a very good representation of him. I was very free with the colors. I let go with my emotions. My professor really liked this portrait. Now, thirteen years later, he is a CPA. The painting is displayed in his home office.
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I taught my first art class since my surgery and it went well. It was small class of 3 students. I was very pleased with the results!
This week I will be teaching a 3-day oil-painting workshop for the Southeastern Indiana Art Guild in Aurora, Indiana. It is a beautiful town on the banks of the Ohio River. It makes me very happy to get back to doing something I love so much.
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This is the finished painting from my August 31st post entitled “Painting in Progress.” I had been in the hospital for a very long time, nineteen days of which were in the intensive care unit on life support. I have been home now for almost four months. It has been very hard for me to do a painting again. My attention span and motor skills have suffered from my illness. After the horrible experience of almost losing my life, I wanted to paint something that would bring me comfort.
My maternal line is basically Scottish. Mom used to bounce me on her knee and sing a Scottish folk song. Her paternal grandmother was from England. Mom learned the love and tenderness of her grandma. Those British traits were used to raise me. I remembered an experience I had. I was walking over the Westminster Bridge in London when I heard bagpipes. Hearing bagpipes makes me cry. I hurried to where the sound was coming from. A Scotsman was standing there in his kilt playing beautiful melodies. I took video of it. This memory brought all the warmth of my mother’s tender care to me. I had to paint it.
The painting shows the buildings backlit. The people have a highlight on the top of their heads to show they are backlit, too. I have used atmospheric perspective to show depth. To do this, the persons closest are painted larger than the ones further back. The features of their faces are done very simply, because you cannot see the detail in real life when they are in a similar position. I have also tried to portray the gesture of the woman in the center while she walks.
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This is one of the portraits Tom painted for his “Northville Who’s Who?” Portrait Show in Northville, Michigan in 2007 at the Sherrus Gallery. He took pictures of well-known individuals in the community, not telling them that they would become portrait subjects in an art gallery show. Imagine their surprise as they walked into Sherrus Gallery, after a special invitation to attend, and found their portraits on the wall! – SF
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It’s been 4 months since Tom completed a painting. He is still recovering from his surgery, and trying to regain the motor skills necessary to paint. I was thrilled when he sent me this painting in progress! -SF
He said: “This is a painting I’m trying to do. It’s a bridge going over the River Thames (London). The Houses of Parliament are on the other side. On the far right is someone playing the bagpipes. On the left is me taking a video of him.”
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