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trio

My wife and I stopped to visit the amazing West Baden Springs Hotel in southern Indiana. It’s very famous. It was built in 1902  and is known for it’s vast domed atrium. The dome was the largest in the world from 1902 until 1913. We were overwhelmed by the majesty of the place — I can’t even describe it. Not only is there the high dome, but the floor is inlaid tile.

While we were in there I heard some really cool music. I wanted to contact the hotel to see what CD they were playing so I could purchase it. I was surprised as I looked around to see the music was being played live by a trio. This  painting represents them. The element that is the most important is “foreshortening.” It is a kind of perspective. The woman’s legs and the neck of the guitar are painted very short  to create the illusion that they are receding from the front to the inner point.

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Char-Portrait

Sometimes I’m very emotional when I do a painting. The woman I painted this for asked me to do it. It was based on a photo of her and her husband. Two days after the picture was taken, her husband passed away unexpectedly.

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This is a painting of a butterfly in my wildflower garden. The background is vague, placing the focus on the butterfly. The largest flowers appears to be closest, while the smallest feels furthest back. These techniques give the illusion of depth.

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shawna

I believe women should be portrayed as intelligent, sensitive human beings. I have tried to do this with my portrait of Shauna. She is college educated. She is the mother of two wonderful sons.

The most important part of the painting is her eyes. The viewer will notice sunlight coming from the right side illuminating  the area above her cheek bone and forehead. The green grass in the background complements the color in her face.

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In 1904 Claude Monet did a series of paintings called “London, The Houses of Parliament.” He did them as the sun set, one was subtitled “Sun Breaking Through the Fog” and another called “Stormy Sky.” He wanted to show what the air and sky looked like under differing conditions.

Ninety-two years later,  my wife and I traveled to Britain with our parents  on a journey of discovery. We had researched where our ancestors were born and visited the very villages they called home. During part of the trip we went to London. I’ve painted my mother standing on the  bridge looking at the same view Claude Monet saw. Obviously I’m no Claude Monet, but my mother and I felt the same magic he did those many years before.

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Drawing-Technique00012

Whenever I do a drawing or painting, I’m much more interested in shapes and values. Instead of thinking of specific objects I see chunks of the same value or color. I draw them in and fill them with their value. I do the same thing with my paintings. This method creates a much more pleasing effect.