There is no stronger love than a mother’s love for her child. She hurts when the child hurts — she laughs when the child laughs — she goes without sleep for the child — she loves her child unconditionally. She would sacrifice her life for her child. This painting represents that sacred love.
I teach a lot of portrait classes. We start with drawing the face — first of all, where the features go. Next we do the eyes. After the eyes we concentrate on the lips and nose. After four weeks of drawing, I teach them to paint faces.
Here is a self-portrait demo from a recent class. To me, the eyes are most important. That’s my biggest concern. I also have the students divide the shapes and shadows of the face and try to match the colors they actually see. I’m a believer in painting with emotion — not just trying to create a photo-realistic image.
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This is a portrait of Stephanie. Each portrait I do is done differently to reflect the personality of the subject. She’s a very good artist so I wanted to portray her in an impressionist manner.
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This scene is looking down a hill in the Gamla Stan area of Stockholm. There’s depth in the picture because the cars go from large to small as the viewer looks left to right. The biggest is closest. The smallest feels further away. The man crossing the street is bigger than the people behind him. He feels closer than the others. These techniques are using atmospheric perspective so the picture doesn’t look flat, but it appears there is actual depth.
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Michelle is an amazing woman. She had a degree in architecture from Ball State University. She’s married to a great guy and they have four very cute children. Michelle is multi-talented–she cooks, sews, does oil painting and many other things as well. She’s a people person with tons of friends who love her. It was an honor to paint her portrait.
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I remember walking around Grand Place, the town square in Brussels. Off to the side was a long alley. On either side of it were dining tables. Waiters were next to them. They were trying to get tourists to sit at their sites. I thought it was funny–they reminded me of used-car salesmen with their high-pressure sales tactics. I didn’t fall for it, but thought it was an interesting experience. This painting is my representation of the experience.
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On a late afternoon on West Monroe Street in Franklin, Indiana the sun gives a yellow glow to the buildings but the shadows are blue violet.
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Danville is a typical small Indiana town. My portrayal is a scene with late afternoon sun. I use warm colors like yellow, yellow ocher or orange to give the sensation of sunlight as seen on the buildings or the rear windows of the vehicles. To show shadow I use blue or lavender. You can see this on the road. The shadowy side of buildings have a slight bluish tone to their colors.
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